Manuscripts Burn


MANUSCRIPTS BURN

"Manuscripts don't burn"
- Mikhail Bulgakov

Hi, I'm Splatterpunk Award-winning horror and science fiction author Steve Kozeniewski (pronounced: "causin' ooze key.") Welcome to my blog! You can also find me on Facebook, Twitter, Goodreads, and Amazon. You can e-mail me here, join my mailing list here, or request an e-autograph here. Free on this site you can listen to me recite one of my own short works, "The Thing Under the Bed."

Friday, January 16, 2026

French Press Publishing's AI Policy

Our company's policy regarding generative Artificial Intelligence can be summarized as follows:

Fuck AI.

That about sums it up.  I don't know why, forty years after the release of The Terminator, we, as a society, are still debating this, but here we are for some fucking reason.  

If you think machines nuking the world and hunting down the survivors is hyperbolic, sci-fi nonsense, sure, maybe you're right for today.  I mean, the world's militaries are all currently tripping over each other in a contest resembling nothing so much as the Cold War's arms race to incorporate AI into every facet of their functions, but, sure, maybe nothing bad will come of giving the nuclear codes to literal code.

But even if the Terminator outcome is a bit farfetched for your tastes, the present stated goal of AI companies is to eliminate every white collar job so that corporate profits can go up.  So if the whole nuclear holocaust thing is, like, a ten year plan, laying off as many humans as possible is the short-term goal.  Why in God's name would anyone support the Great Depression 2.0!

Yeah, that's a great future, one CEO getting paid while five hundred AI programs run the store and the employees all fuck off and join the breadline.  I'm sure the same product that currently produces six-fingered memes and can't recreate words on a sign will accurately and completely conduct all of the accounting, sales, customer service, and marketing for your company, with absolutely no ghosts, glitches, or hiccups.

Oh, is that hyperbolic, too?  Maybe none of this will come to pass?  Sure, I'm also hoping that AI goes the way of the NFT and we never have to worry about any of these nightmarish scenarios.  But even if it all went away tomorrow, that wouldn't change any of the damage AI has already done.  Rivers dried up, rainforests hacked down, who knows how many towns and livelihoods destroyed to build and run data centers.  

Not to mention all of the outright theft!  These scions of the brave new world of the future seemed to think nothing of stealing every copyrighted work of art or fiction ever made.  Not paying, not renting, not composing some kind of fair rate for the novel service of training large language models, no, the AI companies didn't do any of that, they decided to just steal every book ever written and every painting ever painted and pay the human creators nothing.  "Fuck them, let them take us to court," seemed to be the prevailing sentiment.

And the human damage, my god!  I won't even go down the lost revenue rabbithole, because it's pretty much impossible to quantify how many people might have otherwise paid an artist for something they generated instead.  But all the research now is showing that students who use AI are unable to think.  Parts of their brain shut down, even if they eventually stop using AI.  A whole generation's critical thinking skills are being wiped out.  

I'm also deeply concerned about what happens when a mentally ill person - or even just someone who's bored or sad - turns to the yes-man of AI seeking help.  It will justify paranoia and delusions.  "I can absolutely see why you think the lizard people are following you, and it's reasonable to be concerned about it."  It will encourage immature or even dangerous life choices under the guise of being positive.  "Sure, abandon your family and move to Hawaii.  Here are some tips on being a better macadamia farmer."

AI's ethical applications are limited at best and open to flagrant and worrisome abuse at the best of times.  And based on the damage - physical, emotional, environmental - that AI is currently doing and is capable of doing, I'm not sure that it is ethical to use it at all.

But perhaps most fundamental to our position as a publishing company, a person who is using AI to generate content is missing out on the purpose of art.  We write, we paint, we sing, we sculpt because of the joy and pain and fulfillment and frustration that comes from the act.  The durability of the product can range from that of a mandala to that of the Pyramid of Giza.  But it is not the fact that a work of art exists that makes it worthwhile.  It is the blood, sweat, and tears of the creator that makes it worthwhile.  AI-generated slop is not art and, philosophically, AI use is diametrically opposed to what we do here.

Great damage has been done by AI and greater damage still may yet come, but neither I nor my company will be a part of it.  French Press Publishing will categorically:

- not publish any author whose work is partially or wholly created by generative AI
- not hire any artist, editor, or other contractor who utilizes generative AI

I am not agnostic on the matter.  I am not uneducated on the matter.  I am actively anti-AI.

(This post was originally published here on the FPP blog.)

Wednesday, January 14, 2026

Gross-Out Contest Rules (Scares That Care Authorcon 2026)

Hey, everybody!

My writing partner and collaborator Wile E. Young and I are delighted to remind you that we will be hosting the Gross-Out Contest this year at Scares That Care Authorcon 2026.

Please Note: You must pre-register if you wish to participate in the Gross-Out Contest. You can do so by emailing frenchpresspub (at) hotmail (dot) com after 12:01 am EST on Saturday, January 17.

Make sure you pre-register so we can keep the lineup fast, funny, and fair. Pre-registered intended contestants should show up at 9:50 pm EST on Saturday, February 28 so that we can confirm you are present and ready to present.

What about the other rules? Well, I'm glad you asked.

1. Contestants should prepare a five minute story. Every contestant will have three minutes to present, after which the audience will decide whether they can continue for another two minutes. After five minutes total, you will be stopped.

2. There will be no recording of any kind. This is an event for fans of extreme horror and splatterpunk and we want contestants to feel free to leave it all out there on the stage. If you don't want to be exposed to that, please don't attend.

3. Contestants will be judged on three criteria – grossness, crowd engagement, and performance.

4. Prizes will be awarded to the first, second, and third place, as well as a special "Judge’s Choice” award.

5. YOU MUST PRE-REGISTER TO PARTICIPATE! Tell your friends, spread the word, but get us an email after midnight this Friday into Saturday evening.

So, now that you know the judging criteria and the basic rules, who will be the judges? Well, we are pleased to announce the following panel of horror luminaries:

R.J. Benetti
Eric Butler
Viggy Parr Hampton
Amanda Headlee
R.J. Joseph

Can't wait to see you there, everybody!

FAQs (Updated as of 19 January 2026)

1.  Is there a registration deadline?

No, there is no deadline.  However, the longer you wait to register, the less likely you are to get a slot.  Anyone who waits until the day of to register is very, very unlikely to go on stage.  So make sure your friends know about pre-registration!

2.  Are there guaranteed slots?

There are four, by which I mean, literally four people on the planet who are guaranteed slots.  I don't care how funny or important you think you are, if you did not receive an e-mail from us last spring saying "you are guaranteed a slot in next year's contest as a consolation for being bumped for time" YOU ARE NOT GUARANTEED A SLOT!

3.  Are there any topics or visuals that are off limits?

I would dearly like to say yes, because the Gross-Out Contest is supposed to be a boundary-pushing exercise and I don't think it's appropriate for the hosts to decide what is or is not kosher.  However!  Contestants should use their best judgement and bear in mind two things: 

- the audience will be large and diverse 
- this is a charity event and we will not tolerate anything that negatively impacts Scares That Care

4.  Are there any limitations to who can enter the contest?

No, any valid attendee of the convention can attend or enter the contest.  I suppose people wandering in from off the street would not be welcome - supporting the charity always comes first.

Monday, January 5, 2026

2026 Appearances

Hey all! 

Here is my schedule of appearances for 2025. As changes occur, I will update this page, so be sure to check back often. Events in red have occurred in the past. Events in orange are tentative. 

 If you'd like me to make an appearance at a convention, signing, or other event you're organizing or attending, feel free to contact me and we'll discuss it. Most events in Baltimore or Philadelphia are a slam dunk for me to attend, but I'll consider travelling if invited. 


Dates: Friday through Sunday January 30 - February 1 
Location: Sheraton Baltimore North Hotel
903 Dulaney Valley Road
Towson, MD 21204
Panels: 


Dates: Friday through Sunday February 27 - March 1
Location: DoubleTree by Hilton 
50 Kingsmill Road 
Williamsburg, Virginia 23185 
Panels: 
Friday, 6:30 pm - "French Press Publishing Pitch Session" - 2nd Floor, Room E
Friday, 10:00 pm - "Who's Line is it Anyway?" (w/ Clay MacLeod Chapman, Nat Cassidy, CJ Leede, Bitter Karella, Shane McKenzie, Wile E. Young, and Jeff Strand) - First Floor Auditorium
Saturday, 11:30 am - "French Press Publishing Pitch Session" - 2nd Floor, Room E
Saturday, 2:15 pm - Reading (w/ Jonathan Gensler) - 2nd Floor, Room 8
Saturday, 10:00 pm - "Gross-Out Contest) (w/ Wile E. Young) - First Floor Auditorium
Sunday, 11:00 am - "French Press Publishing Pitch Session" - 2nd Floor, Room E
Sunday, 11:45 am - "Weird Westerns, Grimdark, and Military Honor" (w/ M - Robert Whitmore, Daniel J. Volpe, Jonathan Gensler, Andrew Najberg)


Dates: Thursday through Sunday July 30 - August 2 
Location: ICCLOS 100 S. Capitol Ave Indianapolis, IN 46225 
Panels: 


Dates: Friday through Sunday October 9-11 
Location:  Glasgow Crowne Plaza
Congress Rd
Glasgow G3 8QT
United Kingdom
Panels:

Friday, January 2, 2026

New Year's Eve 2025-2026 Chat

Hey kids!  Farewell to the old year and hello to the new.  Check out my initial thoughts on both here:

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